About the Artist
Carrie had the pleasure of growing up in Southern California, hot summers and warm glowing colors forever romanticized their way into her work. She is a master genre painter of the Southern California contemporary school, whose depictions of light place her in the line of the Luminists. Graber is also in the line of The Hudson River School – 19th-century and early 20th-century painters from the Northeast and Midwest, whose paintings are grounded in capturing the light effects of the sun and nature in dramatic landscapes.
Though this movement specialized in anything but genre pictures, Graber mixes this 19th-century fascination with light with her own Pop iconography in the tradition of post-Modern hybridizing. Indeed, the light of SoCal is so different than that of other regions, Graber does a service to the Luminist and Hudson River traditions, with her golden-white light of the skies there, executed so faithfully and fluidly. To top it off, her renditions of the world-famous Southern California lifestyle, as Pop art, are gemlike, sexy, and exacting.
She graduated with distinction, in the fall of 1997 from Art Center College of Design where she studied with such luminaries as Burne Hogarth, Harry Carmean and Richard Bunkall. Shortly thereafter, she took a position as an artist apprentice with the famous Romantic Impressionist Aldo Luongo. A short year later, Aldo sponsored her to develop a body of her own work. Carrie’s first opening was in coastal Cambria, California in 1999, and a success. For the next decade, Carrie traveled the world, showing exquisitely developed oil paintings and charcoal drawings. Her admiration for figure and form, juxtaposed with observations of light and shadow and steeped in a fascination with composition materialized in hundreds of paintings.
“I think that it’s important for me to realize that things are coming together – skill, observation, and consideration. As an artist, I pursue what will give me the greatest satisfaction and joy, a communication filled with discovery and triumph. What is in a medium? What is in a subject matter, or style? I am currently studying the concept of beauty, and why we find something so. What is preconceived, and what can be edited? I always knew, and now fully realize that function always takes a form, not as a conquest but as a lover. I appreciate the opportunity to exhibit this intimate process itself as art.”